ltd 2016 repress.. more beautifully crafted deep house from detroit soul singer marvin belton. recorded in the motor city soon after >bleed to be free<, this single is soon to be another underground classic. 3 versions including a 808 & 303 dub for late-night dancefloors …

highly talented demarkus lewis (bluem, lowdown, moods n grooves) with a 4 tracker perfectly balanced between chicago and westcoast house - very musical with strong pounding b-lines, nice synth melodies and atmospheres but always with the certain oomph the dancefloor is craving for.

paul hughes and aruba teaming up for this latest offering from siesta music. >these days< is a lush late night groover, combining a rich bassline with a drifting vocal stab, tight beats, and dubby chords for some quality deep house. aruba adds a little old skool flavor to his >those drumz mix< via new analog synth lines and a new bassline, while the beats, now more of a tribal rhythm, still keep the floor crowds moving. the >those nights mix< will throw you all off, with the track slowed to a crawling skank with a deep bassline and recliner beats pitting wits with a slowed down take of the vocal.

comes with code for free digital download of this album.

club veteran & downright musical legend lee burridge is back with a fresh slice of groovy latin infused tech house for matt tolfreys leftroom records. deep and thrillingly exotic with a touch of the exotic the >heres johnny< ep is a feast for the senses exquisitely complimented by a duo of highly adept remixes from miamis groove-maker lazaro casanova.

with no rest for the wicked, label exclusive artist ladzinski is back for 2011 with a solo ep jammed pack full of up front house tracks.just like that is boes most dance floor focused ep in a while with jacking 808 drum rhythms, soaring pads and plenty of hands in the air moments. all night is a true groove-a-thon that hardly lets the beat go during its nine-minute length. its a more conventional sound pushing towards tech house territory but the classic 808 drums and bouncy syncopated chords give it a fresh breath of chicago deepness..

after the huge >afrik< 12 inch that came out in 2006, todhchai brings their 2nd release with 3 stunning tracks. the title track meshes the vibe of detroit with favelas. >herobeat (lil gs beat)< is a funky number while >you search for a means< is a late night cut. urs santiago salazar also adds a remix!

evil madness has been described as the traveling wilburys of icelandic electronic music. behind the name stand men like petur eyvindsson, johann johannsson, sigtryggur berg sigmarsson, helgi thorsson and bj nilsen (who is not quite icelandic but was born in a country very near iceland). this album, >super great love<, presented by editions mego will be their 4th album since the time their formation in 2006. now for those of you reading who know the music of evil madness will know for sure that this band does what ever they damn well pleases when it comes to making the music. with >super great love< they want to get people in the good mood for the fresh new year and present them with some upbeat icelandic disko tunes.

get ready for brazilian hard techno! while carnaval is full in progress, in the carnaval capitol of the world rio, somewhere deep hidden in the dark parts of the city you will hear the hard pounding beats coming at you through the walls and foundations. once you found where the sound is coming from you will be blasted away by the monsterous bass kicks brazilian percussion and rave noise from marcio m., malke, alex tb and barbers. this is techno and they are proud of it!

markus suckut is an emerging talent in the world of deep, purist techno. having already released on labels like stroboscopic artifacts and lineal, suckut is quickly honing his skills and turning out some seriously impressive club tools. shine opens the ep as an understated track stretching over 10 minutes, however to experience this on a full club system, perhaps when suckut plays at the figure label night in berghain in april, youll quickly.. >symbiosis< is a paranoid jack track - 2011 style. rigid, reduced and yet alive with endless automation and a very unique sound design. on a more dubbed tip, >you< shows suckuts deeper edge in a controlled and well rounded atmospheric tool for the early hours

one sided turqouise vinyl with 3d cover! in 2009 they produced rare tap (remote area) which became a dance bomb over night, so theyve teamed up again for the sequel tap deux, .. a northern soul influenced, swinging, house monster!

dbr uk are a luton collective who produce underground drum & bass made from the soul and have recently launched their label broken audio. we at ingredients have been a fan of their music for a while, and were lucky to snap up these two tracks. >dirty passive< has haunting strings, clean breaks & awesome bass pressure, reminiscent of commix, while >magnesium< is sluggish, smokey and hypnotic. ideal for late night listens and deeper than the ocean!
dj support from genotype, marcus intalex, doc scott, lee, blu mar ten and more.

excellent detroit infected techno by detroit altmeister dan curtin

for the 8th release on soweso were proud to bring you parisian house music guru chris carrier. logic sunrise and street machine are both examples of how modern club house should sound like. high production value and amazing drive make these two sure shots for house djs worldwide. on the b-side we bring you two rare gems from chriss musical vault. love supreme is an amazing collaboration between chris and long time friend hector moralez and one night stand is a playfull classic house affaire.

with the highgrade disharmonic orchestra, the berlin label has in the last year, found itself taking a somewhat new direction. todd bodine, tom clark, philip bader, daniel dreier and dale have bundled their musical creativity together and shown audiences at watergate and other key locations in the capital city, their authentic and premium quality live performance and let club-goers connect with their very unique and exciting brand of musical experimentation. this unique live atmosphere now comes to you as an ep release. three tracks that exude the groove of a sweaty night on the dance floor

after the loud aproval of their first vinyl >green vision<, released on the german label night drive music, the aquarell project (headed by marco sarto and andrea paganin) finally land at sabotage recordings. the title track , >creep<, is a forecasting dancefloor oriented hit, conceived to last through times: its a groovy explosion of house percussions, warm low frequencies, sensual voices and relentless rhythms. >you are gold< is an impressing hypnotic tune with a technological taste, exalted by percussive elements. on side b, alex piccini remixes >you are gold<, while re-up reworks >creep<: both cuts are powerful but elegant apt for every kind of dj

supported by: justin vandervolgen, roy dank, nick chacona, alexis le-tan, wild geese, rune lindbaek, clap rules, hardway bros,..

after the fittingly excellent 30th release from markatonio, analytic trail waste no time in delivering their next release, this time coming from scottish producer hans bouffmyhre. the paisley based artist has graced perc trax, harthouse and jochim speiths affin with his releases in the past and his production continues to garner support from a wide and revered array of djs. someone im not boldly kicks off the ep with a dark but grooved-out edge which will please fans of his previous work for perc trax wintery, late night and uncompromising techno. bermuda tool follows and pushes further into the darker territories of techno with a lazy pace providing counterpoint to a tapestry of moody effects. self punishment ramps up the energy but keeps the sinister, mechanical vibes of its counterparts while final cut planet deception closes proceedings with a drum focused workout with some killer yet simple snare work.

mr. tanaka, a hokkaido native, runs tanaka heavy industries, ltd, a manufacturing keiretsu. he also often composes and performs music alone and with his orquesta. the music of “jet set siempre no. 1&#8243,,,,,, was originally only available on cassette tape, but he has now consented to allow the release on that futuristic medium, vinyl, complete with free download code.

flapjack records break through chefs mark & stevens are back with their follow up vinyl release to their debut discopetry , which was released in 2010. this new ep >hello nightlife< is an amazing topper to an already delicious and delectable cake. i cant say enough about how sugery sweet each and every facet of this ep is beginning with the stunning design down to every last lickery boom tiss of the beats.

the first 12 inch off of altons album light years away. deep vocal house featuring afro-tech soul remixes from abicah soul (vocal and dub) and a silky smooth late night remix from kai alce. also includes the original album version. deep, smooth and soulful.

a sound odyssey to stir you through the night. on the flip you will find reset robot adding weight to the undercurrents of the original and giving it a heavier, industrial point of view.

there are few artists making seriously great music while not taking themselves too seriously: that difficult feat is one rarely attempted and even less often successfully carried out. benoit & sergio have seemingly effortlessly managed to pull off that contradictory trick, producing songs that sometimes seem like musical open letters: editorials narrated in the voices of unidentified, yet totally recognizable colorful characters, read aloud against a backdrop of beautifully lush, warm and sensuous electronic pop music. the unexpected juxtaposition of such pristine production and playful lyricism — first exhibited on 2009s highly praised <i>what ive lost</i> ep, which included the brilliantly sardonic single >full grown man< – exemplifies why benoit & sergio are one of the most unique and interesting outfits in dance music. its good news, then, that the washington, d.c./berlin-based outfits eagerly expected dfa debut maintains both the charm and expert craftsmanship of its predecessors. single >boy trouble< (the titular counterpoint to >full grown man<) launches the ep with all manner of reasons to take to the dancefloor: an exigent beat, a beckoning synthline, a bassline of understated funk. sergio lethargically sings about girls, making note of both their ups and the downsides, without the hindrance of subtlety. >i love girls/with legs like a ferrari< he states before noting (bemoaning?) the fact that >you need poetry to turn these girls on.< its a song for the best part of the night, full of compulsive rhythms and a climax that builds on sparkly synths. the accompanying remix from visionquest — the detroit-bred, berlin-based label led by producers seth troxler, ryan crosson, lee curtiss and shaun reeves — amps things up, making the beat a more prominent, driving and club banging force. the flipside features >full grown man< and >what ive lost<, which reveal themselves to be worth more than a few revisits.

its an album, its deep, its acid, its fragile, its party, its lonely, its all together, its music itself, its special, its rvds with his >moments<. after the ep >waiting, kiss and love< comes the album now. inspired by classic deep and acid house. good to listen to these old instruments: tr-808, roland jp-6, wurlitzer e-piano and some other specials combined with new accents, but always a love to detroit music.

light sounds dark combine forces with fellow marshmallows psychemagik on a ride to the other side and as one would expect from these two a variable treasure trove of a selection plucked from all corners of the known galaxy and far beyond.

the title track >juneau< comes at you with force, grace and a warm low end perfect for a late night or an early morning. pier bucci and crazy larry aka glacier really work the knobs and controls to create a melodic yet refined sound. this is definitely the most emotional track on the release, usually evoking quite a response from the dance floor. play this at the right time and you will have a smile on your face for sure.

hot off their >night lights< release on planet e, the oliverwho factory returns on rush hour with their new single >galactic transit<. with >galactic transit< they deliver another hot slice of raw and sexy detroit house music. a great piece of 21st century soul!

supported by: radio slave, robert dietz, lauhaus, alex celler, matt tolfrey, slam, anthea, konrad black, anthony collins,.. air london presents the debut solo release from adam shelton. already releasing music with subb-an (either as subb-an & shelton or under their sas guise), air trax marks the first full release for adam in his own right, and its one hell of an introduction. both tracks here have been made for the late night hours as adam shelton really gets into his gritty groove with this speaker-busting double hitter. >crazy talk< starts off with a hypnotic rolling drumbeat and a fixating, echoing vocal that builds until the driving bassline kicks in and leaves you hooked. on the flip >do not attempt< is another killer cut with clipped broken beats and crisp hi-hats. a shady vocal, uttered throughout, is swathed in siren cries and more brooding bassline

sheffield trio standard fare had a great 2010 that saw the release of debut album >the noyelle beat< festival appearances at latitude, indietracks, in the city and swn and two us tours, including playing at sxsw. it was on their us travels that they met pop soul mates one happy island.
hailing from boston, massachusetts, one happy island also had a stellar 2010, releasing their own eponymous debut album, an lp filled with a sense of wonder, fun and everything from autumnal, orchestral ruminations to farfisa-fired garage-pop.
2011 kicks off for both bands with a joint release. its a simple proposition: each covers one track from their counterparts album and each introduces a new original, all packaged as a 4 track ep, with glorious indiepop results!
comes with code for digital download.

clinton said it best, jerry j is the hook master! mastered from a cassette mixdown of the legendary session with maurice ortiz, alive wilton, members of rick james band, roy ayers band, >spider-man< robinson, engineered by jess osborne. jerry had been holding on to the tape for years, it was the only master that survived since that 1980 night, he recorded it when he was only 19! expect some tape noise, this is a demo jam

repressed - white label - red vinyl - d5, the artist formely known as dimension 5, returns to the label where he started. three times deeply smooth funk techno tracks. his last track >floatation tank< on the >planet delsin< compilation, was favorite along a broad range of deejays, and licensed to josh winks mix compilation. this neutrino ep brings us three times deep funky warm minimal/techno. sounds along the lines of luciano and aril brikha, groovy late night techno. very deep

top russian dj teams with honcho abe duque for stellar dark house and techno three tracker. initially created on moscows >club on the roof< this ep begins and ends any night. limited in nature and a limited 300 pressing only.

slamming classic chicago house, now 2011 with fresh updated edits

2010 has been a massive year for jozif, emerging as one of the most talked about artists in house music. the follow-on from the first sell-out edition, “beats in space”, “brick jane” goes further to cement his place as one of the vanguard of the london music scene, and propel fist or finger to the status of a buy-on-sight label. jozif’s title track – the dancefloor focused ‘fist’ of the package – goes in deep, the momentum continuously building as the track twists and turns through a landscape of deep slabs of bass assured deployment of subtle guitar plucks and piano chords, and dreamy xylophones. finally releasing into an epic crescendo, jozif only allows the moment to last just long enough, before all the elements are stripped right back as the journey starts all over again. brick jane draws out a journey, continuing to morph and subtly affix new elements throughout its 7 minutes. the arrangement is simple yet the progression is deft, subtle and effective, creating a vibe that can be employed at any given time of the night, offering a truly different context. craig’s ‘finger’ re-interpretation picks up the thread where his “beats in space” remix left off. crackling static laced with woozy atmospheres and paranoid utterings flip the vibe of the original completely on its head. richards displays a completely unique ability to stretch the original track far beyond its character into a completely different dimension, building a warped soundscape that feels as though it was recorded in a chasm deep deep underground. a mind-bending journey from a truly multi talented artist, in the truest sense of the word

the 5th release on the newly-formed wetyourself recordings sees the label continue on its unique techno journey. born out of their weekly sunday night parties at fabric in london, the label pushes on with its monthly release schedule of quality music.

incl live mix by ataneus! and again the ostwind crew welcome a new artist on their sub label ostwind limited. sandru lives in cologne and raised with music as a son of a bassist. he played drums and piano in his childhood and made the first steps with techno at the age of 15. now the 24 years old sandru releasing his first track called >late night stories<. raw minimal beats und clicks, combined with a dirty rolling bass and a building hookline will give you some warmness in these winter days. a good start by sandru and we looking forward to his next releases on ostwind. to make this record perfect we have two pretty tracks from our friend from sofia, ataneus. well known for his productions on ostwind, subotnik and ackerdub, ataneus shows again his talent for emotional and very deep going stuff. en echolon and spectral class have this typical warm bass and arrangements from ataneus. forward groovin techhouse styled up with markant pinpointed melodies. also music to fuse the ice from the house top oft he club.

and again the ostwind crew welcome a new artist on their sub label ostwind limited. sandru lives in cologne and raised with music as a son of a bassist. he played drums and piano in his childhood and made the first steps with techno at the age of 15. now the 24 years old sandru releasing his first track called >late night stories<. raw minimal beats und clicks, combined with a dirty rolling bass and a building hookline will give you some warmness in these winter days. a good start by sandru and we looking forward to his next releases on ostwind. to make this record perfect we have two pretty tracks from our friend from sofia, ataneus. well known for his productions on ostwind, subotnik and ackerdub, ataneus shows again his talent for emotional and very deep going stuff. en echolon and spectral class have this typical warm bass and arrangements from ataneus. forward groovin techhouse styled up with markant pinpointed melodies. also music to fuse the ice from the house top oft he club.

japan based, multi-instrumentalist, max essa, has done it again for us here in the bearfunk forest. his splendid second album >white shoes, blue dreams< has pleased the public and reviewers alike. the >midnight and dub direction ep< takes some of the albums finer moments and gives them a more dance-floor friendly, dubby makeover.

fer br is one the most prolific artists on the special series imprint with now finally his debut album ready to launch early 2011! fer br has stirred the techno scene with his incredible fresh and funky techno sound. very well produced and very very party friendly! the girls just love his sound. so if you are into the dj-ing for getting the girls, you must play fers productions! with not only great tracks and remixes for labels like gtmuzike, basics, subcult, code, cobra, patterns and many more he also set up his own imprint which is called funkme. thats just fer br. it cant get any funkier! this is funk. fer br presents: this is me!

future disco releases the fourth edition of the sort after series and to coincide with the full album release is this limited four track vinyl sampler featuring some of the highlights from the collection >neon nights<. first up is an exclusive track from the revenge. originally created a dj tool for graeme clark aka the revenges dj sets >just be good to mario< is a cleverly produced mash up of the revenges own >just be good to me< featuring the vocals of crazy ps danielle moore, and mario basanovs track >do you remember<. the result is a slow grooving dance floor jam that takes the best bits from two producers at the top of their game. also on the a side, the c90s –shine a light is given the remix treatment by australia outfit flight facilities. the result is a slow tempo song, perfect to start or end the night. on the b side, hannulerauris instrumental >zombie tropicana< gives a firm nod to the 80s with a slow stomping electronic disco work out. finally london duo, tape to tapes >pure & easy< completes the pack. a hand raising house track with soaring breakdown, which demonstrate the breath of the sounds on a future disco collection. all tracks have never appeared on vinyl before and are exclusive to this sampler

were happy emmanuel joined the 100% pure crew with coffee shop giving you tracks for the all night party hunter!

twisted tongue follow up their acclaimed debut album with the first single from their follow-up lp, >a return to space<. eschewing the p-funk stylings of their self-titled debut, twisted tongue (dave jay & mark dalton) provide an essential revival of the mid-tempo soul stepper, featuring guest vocalist johanna lee sweetly leading a tough, incessant groove that recalls the classic likes of nick martinelli and the mizell brothers. twisting the track even further are the remixes provided by dj ray mang (dfa, mangled), one of the founders of londons nu-disco scene, who has long taken inspiration from new yorks golden era of the loft and paradise garage. twisted tongue writer/producer dave jay joined forces with ray for his >mang vs. mondo< ep on mangled earlier this year, and here mang returns the favour by dubbing out and extending >a return to space< to mind-bending effect. on the flipside is the cinematic, downtempo remix by blue states, which subtly subverts the original, transforming the track into a late night indie excursion. andy dragazis (blue states) has now been delivering his unique brand of melancholy, guitar-led head music for over decade, via labels such as xl recordings, and this mix of >a return to space< ranks up there with his most memorable work

comf13 has landed and we are hypnotized. vinyl only and strictly limited. more than 25 minutes of deep live recorded landscape-techno at a lower price than 2 packs of cigarettes.

once again leng deliver with a lovely bit of heavy electronic stompery. tiagos >the source< goes straight for the dark end of the dancefloor and wallows in the smokey acidic enivirons of the late night moody corner ! with a punchy throbbing bass, hefty beats, tons of spacey effects and some awesome delayed hi hats to really mess your head, this is in the box for the strobe light moment. on side-b >mudds slow rave mix< turns up the acid a few notches, somehow gets even swampier in the bottom end and slightly more whacked out on the fx, add a lovely niggling synth line for a dark heavy dancefloor work out.

italojohnson starts the new year punctual with his third stroke. this record will have something suitable on it for everyone out there. without batting an eyelid, its crosseyed and selfconfident, looking at three different floors at the same time: the a-side focuses on the chicago house floor. it begins with a recognizable toolish sound. slowely but surely the theme of the track opens – the track works through a breakdown, a classic drum roll sneaks in and jack grabs again. the b1 provides an unusual turn on the third italojohnson production. theres no space for compromises here. the track stomps on the steam engine warehouse floor. a flowing acid hookline is settled in the industrial drumline and gives the track its meaning. the second track on the flipside completes the whole package and is destined for the late night hours. thats everything there is to say about this track – the strength and emotion can only be experienced by listening first hand. love, peace and happiness

after the success of their inaugural workout last summer, jam factory return with their second ep of machine-made music that goes bump in the night. ocean calling is an authentic big-room house record underpinned by a catchy bassline combined with ever-evolving synth stabs and crisp analogue drums. on the flip hot & heavy kicks off with a rolling subterranean bassline and gradually develops into an addictive groove.

ltd repress !!! where to begin with >likewise<...from a handful of cds that emerged early last spring >likewise< was by far the record of the night at diddys house party in miami. it then hit the top spots in mixmags charts and became one of the most wanted tracks by every a list dj during ibiza this summer and is still being championed by djs such as luciano and lee van dowski !

we present superb deep house treat from alex danilov - framing the ear worming lead refrain around a robust ny house bass line and crisp, punchy percussion with his seal of vintage touches. it kicks off with the track >pool< in which alex builds a chunky chicago/ny styled house cut with silky smooth synth pad and hypnotic vocal loops that carry on to theme of the b side chicago tribute >get old house<. this ep rounds up with the deep and playful >sequence smoke< poem track that will keep you going through the late night. we bring the funk !

with her self titled debut, ana helder bolts out the gates with the comeme party approved classic >complicado< - a morphed track of epic proportions that bring the dive of menacing techno together with the fine line that lies between disco and house. >buena punteria< is extreme body music with a tremendous strobe lit inducing rhythm. >el groove de tu corazon< is full of life - a special track a good dj knows how to use and create a magical moment during the night. >next club< is a frenzy. the inevitable and seducing bass line, anas vocal with the grooviness of chicago house and colombian champeta, making this tune the likely candidate for the most obviously dance floor _hit_ on her astounding debut ep.